Guilherme, who sees himself as part of a neo-brut movement - a hybrid of new brutalism and art brut - creates visual landscapes, tablescapes, and nightscapes that capture urban life in Berlin, while also being inspired by his time in Lisbon, where he developed his practice and lived and worked. Combining rawness and precision, his paintings are about creative expression in its purest form. As the title No church wild suggests, which suggests a rejection of all meaning, value or purpose in the world,